The Painting Experience Blog

Expressing the Sacred

Expressing the Sacred

We are delighted to offer this guest post by Amy Kisei Costenbader. Kisei is an ordained Zen priest who currently lives and practices at Great Vow Zen Monastery, where she has resided since 2010. She also teaches meditation at Reed College in Portland, Oregon....

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Connecting With Your Own Energy

Connecting With Your Own Energy

After creating a safe and spacious environment, working with energy is a facilitator’s primary tool. The energy determines how you move within that space -- for example, the questions you might ask and the suggestions you might offer to a painter. ~ Stewart Cubley,...

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Process Painting Through Grief

Process Painting Through Grief

My dear old 94-year-old Dad died in late September. After the initial grief and busy-ness, including helping my 91-year-old Mom resettle, I was exhausted. I noticed my mood fluctuating between sadness and grief and feeling pretty flat. By flat, I mean not quite numb,...

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Safe Place, Sacred Space

Safe Place, Sacred Space

“An artmaking space is a “mishkan” a portable sanctuary. Each artist working there is alone with her image and the message it brings as well as being in a subtle communion with others in the space. (…) The witness of others and our ability to struggle alongside them...

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Radical Innocence

Radical Innocence

The first encounter with painting is often a delight and a surprise. Each color is a delicious revelation; strangely satisfying forms appear; we’re amazed and fascinated by the mysterious images that emerge. And the room feels safe—a supportive, inspirational...

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Don’t Paint Whale — Paint Whaleness!

Don’t Paint Whale — Paint Whaleness!

Recently, Lisa Pedersen reminded us of this brief and very lively excerpt from a talk that Stewart gave at a workshop in Southern California. In the following conversation with a workshop participant, Stewart brings to life that moment when we are asked to take a...

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Trusting Your Intuitive Intelligence

Trusting Your Intuitive Intelligence

We’re happy to offer the following guest post by Jean Matlack of Rockport, Maine. Jean is a participant in our online course, Introduction to Facilitating Process Arts. She first posted these reflections as a comment on the course material and we felt so touched by...

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Facing Resistance in Painting

Facing Resistance in Painting

“An important time to paint is when you resist it the most. The strength of the aversion means that there is something just beneath the surface, thinly disguised, ready to emerge. Resistance is a reminder to probe your inner fears and defenses . . . .  If you find...

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